Portfolio

Art Restoration Artist: Gregoire Boonzaier Medium: Linocut and Watercolour Mat board burn Before and after

Art Restoration Artist: Gregoire Boonzaier Medium: Linocut and Watercolour Mat board burn Before and after

Art Restoration Dimentions (hxw): 357 x 540 mm Date: unknown Medium: Watercolour Condition: Foxing After

Art Restoration Artist: Gregoire Boonzaier Medium: Linocut and Watercolour Mat board burn Before and after
Watercolour
Watercolor (American English) or watercolour (Commonwealth and Ireland), also aquarelle from French, is a painting method in which the paints are made of pigments suspended in a water-soluble vehicle. The term "watercolor" refers to both the medium and the resulting artwork. The traditional and most common support (material to which the paint is applied) for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum or leather, fabric, wood, and canvas.

Restored Art Walter Battis - Louis Trichardt Before

Restored Art Walter Battis - Louis Trichardt After

Walter Battiss - Outshoorn, Cape After

Restored Art Walter Battis - Louis Trichardt Before
LinoCut
Linocut is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for the relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a press.

Art Restoration - Couache Artist: JH Pierneef Description: Eland and bird Date: (1961) Medium: Gouache Dimentions (hxw): 250 x 365 mm Condition: Tear repair and in-filling Before

Art Restoration - Couache Artist: JH Pierneef Description: Eland and bird Date: (1961) Medium: Gouache Dimentions (hxw): 250 x 365 mm Condition: Tear repair and in-filling After

Art Restoration - Couache Artist: JH Pierneef Description: Eland and bird Date: (1961) Medium: Gouache Dimentions (hxw): 250 x 365 mm Condition: Tear repair and in-filling Before
Gouache.
Gouache, is a type of paint in the category watermedia consisting of pigment, a binding agent (usually gum arabic), and sometimes added inert material, designed to be used in an opaque method. It also refers to paintings that use this opaque method. The name derives from the Italian guazzo.

Art Restoration Artist: D. Guillot 2006 590 x 420mm Chalk Pastel BEFORE

Art Restoration Artist: D. Guillot 2006 590 x 420mm Chalk Pastel After

Art Restoration Artist: D. Guillot 2006 590 x 420mm Chalk Pastel BEFORE
chalk pastel.
A Pastel is an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.

Art Restoration Artist: M. Aden Medium: Print and Pencil Dimentions (hxw): 630 x 475 mm Fire and water damage Before

Art Restoration Artist: M. Aden Medium: Print and Pencil Dimentions (hxw): 630 x 475 mm Fire and water damage After

Art Restoration Artist: M. Aden Medium: Print and Pencil Dimentions (hxw): 630 x 475 mm Fire and water damage Before
pencil drawings.
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds oferasers, markers, styluses, various metals (such as silverpoint), and electronic drawing.

Art Restoration Walter Battis Screenprint Before

Art Restoration Walter Battis Screenprint After

Art Restoration Walter Battis Screenprint Before
Screenprints.
Screen printing is a printing technique whereby a mesh is used to transfer ink onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed.

Art Restoration Etching Before and after

Art Restoration Etching Before and after

Art Restoration Etching Before and after
Etching.
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (relief) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today.

Art Restoration Paper Infilling Before and After

Art Restoration Artist: A Fowles Date: 1877 Medium: Watercolour Dimentions: 236x389mm Paper filling and retouching Before

Art Restoration Tear repairs After

Art Restoration Paper Infilling Before and After
Paper repair work.
Includes:
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Tears, holes, losses to the paper
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Folds, creases and wrinkles
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Dirt, dust, insect frass
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Acidity and associated brittleness
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Tapes and adhesives
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Staining (overall discoloration, mat burn, foxing, adhesive stains, and water stains)
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Pigment loss
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Harmful backings and improper framing materials
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Water and Fire damage